The first monograph of one of Norway's most important contemporary artists to be published in English. The work of the Norwegian artist Marianne Heske falls outside conventional categories of art. A 1971 visit to March aux Puces near the Porte de Montreuil in Paris would prove important for the artist. There, she found a box of papier-mach doll heads with a look reflecting the glamour of early-twentieth-century film stars. These were to become an important metaphor in her artistic development. Heske soon began to create works that involved the dolls--assemblages, photographs, videos, and graphic works--and dolls became a central part of her oeuvre. Includes contributions by leading Norwegian art and literary critics such as Jon Fosse, Ken Friedman, and Frode Helland.