Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders?
Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema’s popularity, and the problems involved in the transnational study of globally popular forms suggesting that in order to grasp the history of Hong Kong action cinema’s influence we need to bring out the differences as well as the links that constitute popularity.
Contributors: Nicole Brenez; Dai Jinhua; Stephen Chan Ching-kiu; David Desser; Laleen Jayamanne; Kim Soyoung; Siu Leung Li; Adrian Martin; S. V. Srinivas; Stephen Teo; Valentina Vitali; Paul Willemen; Rob Wilson; Wong Kin-yuen; Kinnia Yau Shuk-ting; and Yung Sai-shing.
The editors are all working at the Department of Cultural Studies, Lingnan University, Hong Kong. Meaghan Morris is Chair Professor of Cultural Studies, and Co-ordinator of the Kwan Fong Cultural Research and Development Programme. Siu Leung Li is Associate Professor, and Stephen Chan Ching-kiu is Professor and Director of theth...
