In this book, Warner examines a number of German-language literary autobiographies that are connected to diverse social movements of the last forty years. These books have all received critical attention from the popular press, topped bestseller lists, and have been pivotal in discussions of authenticity, subjectivity, and referentiality. Because of the thematic diversity of these works, scholars within literary and cultural studies have tended to treat them separately under topical categories, such as women’s literature, the post-war generation, migration and multiculturalism, etc. Underlying Warner’s analysis is the belief that the social construction of autobiographical acts is as much a matter of textuality as it is of topicality i.e., how language means, rather than what it means, and that a pragmatic-stylistic approach is well-suited to describing how literary autobiographies come to function as testimonies to certain collective experiences.

By presenting a model for an integrative stylistics approach, The Prgamatics of Literary Testimony participates in current discussions within fields of literary linguistic scholarship, as well as autobiographical theory. In its analysis of key examples of German social testimonies from the late twentieth century, this book incorporates insights from discourse analysis, pragmatics, cogntive poetics, and sociolinguistics in order to demonstrate that this diverse body of works constitutes a particular form of textual practice defined by what the author calls authenticity effects—feelings of realism, immediacy, exemplarity, genuineness, and social relevance. Such a study of authenticity as a poetic effect, can help us to better understand the testimonial glamour owned by various types of autobiographical narration.

Contents

Introduction 1. Autobiographical Style, Myth, and the Practice of Literary Testimony 2. Exemplarity Effects: Feridun Zamaiglu’s Leyla as a Typical Turkish Tale 3. Mimesis Effects: Styling Tal Voices 4. Immediacy Effects: Deictic Shifts and Point of View in Verena Stefan’s Shedding, Peter Handke’s Hopeless Unhappiness, and Ruth Klüger’s Still Alive 5. Narrativity Effects: How Bernward Vesper's The Trip Became an Exemplary Testimony to the German Autumn of 1977 6. Addressivity Effects: Facework and Deference in the Literary Testimonies of Chima Oji, inasi Dikmen, and Feridun Zaimolu Epilogue: A Hunger for Experience

Author Bio

Chantelle Warner is Assistant Professor in the Department of German Studies at the University of Arizona.