Traces authors' attitudes toward US economic expansionism through their fictional allusions to internationally-traded commoditiesPairs global economic histories with close readings of commodities depicted in fiction in order to shed new light on the strategies that both well-known and under-studied authors use to critique US economic expansionism at the turn of the twentieth centuryEmploys an interdisciplinary methodology informed by literary studies, global history, art history, economic history, postcolonial studies, and gender studiesIdentifies affinities across literary chronologies, geographies, genres and fields through authors' common engagement with long international histories of commodity chainsReframes literary debates about domesticity in a global context in order to reveal complex, varied and at times contradictory attitudes toward the intersection of gender and U.S. imperialismExamines a variety of primary source materials, including novels, short stories, poetry, paintings, home decorating guides, women's magazines, children's geography books, trade reports, newspaper articles and journalsWhat is a reference to an Italian Egyptologist doing in Louisa May Alcott's portrait of domesticity Little Women? Why does Elizabeth Stuart Phelps's painter protagonist Avis Dobell know--and care--that her red shawl is dyed with desiccated beetles? Why might W.E.B. Du Bois's fictional sharecropper display a reproduction of a painting by William-Adolphe Bouguereau near his cotton field? These questions, and more, are answered by Consuming Empire in US Fiction, 1865-1930. An interdisciplinary study of references to internationally-traded commodities in US fiction, Consuming Empire in US Fiction, 1865-1930 assembles an integrated geopolitical analysis of Americans' material, gendered, and aesthetic experiences of empire at the turn of the twentieth century. Examining allusions to contested goods like cochineal, cotton, oranges, fur, gold, pearls, porcelain, and wheat, Consuming Empire in US Fiction, 1865-1930 reveals a linked global imagination among authors who were often directly or indirectly critical of US imperial ambitions. Furthermore, Consuming Empire in US Fiction, 1865-1930 considers the commodification of art itself, interpreting writers' allusions to paintings, sculptures, and artists as self-aware acknowledgments of their own complicity in global capitalism. As Consuming Empire in US Fiction, 1865-1930 demonstrates, literary texts have long trained consumers to imagine their relationship to the world through the things they own.
